The Journal of Indian Ocean World Studies https://jiows.mcgill.ca/ <p>The Journal of Indian Ocean World Studies (JIOWS) is the creation of the Indian Ocean World Centre (IOWC) at McGill University. It publishes original peer reviewed articles by established and emerging scholars in the social sciences, humanities, and related disciplines that contribute to an understanding of the Indian Ocean World (IOW) and its constituent parts, from early times to the present day. The IOW is here defined as a macro-region running from Africa to East Asia, comprising both maritime and terrestrial zones.</p> en-US Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons License CC BY NC SA, which permits users to share, use, and remix the material provide they give proper attribution, the use is non-commerical, and any remixes/transformations of the work are shared under the same license as the orignal. jiows@mcgill.ca (Philip Gooding) jennifer.innes@mcgill.ca (Jennifer Innes) Mon, 31 Mar 2025 11:29:44 -0400 OJS 3.3.0.13 http://blogs.law.harvard.edu/tech/rss 60 Indian Ocean History for the Age of Non-Alignment: The ‘Moorish Connection’ of North Africa and Sri Lanka https://jiows.mcgill.ca/article/view/184 <p class="p2">Western scholarship on the Indian Ocean rarely takes into account the modern indigenous historiography of the region that emerged in dialogue with European depictions. This article traces the institutional then historiographical development of a Moorish identity in postcolonial Ceylon (from 1972 known as ‘Sri Lanka’), with a particular focus on <em>The Moorish Connection</em>, a history book published by the Moors Islamic Cultural Home to coincide with the 5th Summit of the Non-Aligned Movement, held in 1976 in Colombo. Like most other colonial and postcolonial Lankan Moors, the author of <em>The Moorish Connection </em>was unable to read the Arabic language of his purported ancestors, forcing him to rely on Orientalist works collected in the library of the Moors Islamic Cultural Home that commissioned his book. This produced a kind of nominative historical illusion whereby, when explored through the library of Orientalism, the English (and formerly Portuguese) name of the Moors germinated into narratives of an ancient ‘Moorish connection’ with distant Tunisia and Morocco. As a contribution to the neglected emic formulations of the Indian Ocean’s past, the article reconstructs the development of this Indian Ocean—and Mediterranean—self-history of the Moors through the colonial then postcolonial periods, culminating in its geopolitical deployment amid the soft power diplomacy of the Non-Aligned Movement and the postcolonial forging of new ‘South-South’ alliances.</p> Nile Green Copyright (c) 2025 Nile Green http://creativecommons.org/licenses/by-nc-sa/4.0 https://jiows.mcgill.ca/article/view/184 Mon, 31 Mar 2025 00:00:00 -0400 The Crown of a Man: Muslim Skullcaps, Modernity, and Belonging in the Nineteenth-Twentieth-Century Indian Ocean World https://jiows.mcgill.ca/article/view/185 <p class="p2">Across the Indian Ocean, Muslim men in different locales wear almost identical skullcaps, referred to variously as <em>kofia</em>, <em>kopiah, topi </em>and fez (amongst other names). This article traces the shifting styles and meanings of these skullcaps during the nineteenth and twentieth centuries in Zanzibar, Indonesia, Sri Lanka, and India. In so doing, it situates the wearing of this item of clothing within broader historical themes, such as Islamic cosmopolitanism, imagined communities, and masculinity. It then links the changing meanings that skullcaps had to broader historical moments, such as the imposition of European colonial rule, anti-colonial resistance, and the emergence of independent nation states. At different times and places, men’s skullcaps can be understood as a symbol of the wider Islamic community (<em>ummah</em>), of resistance to colonial rule, and of national identities.</p> Dionisius Grandy Fharose Copyright (c) 2025 Dionisius Grandy Fharose http://creativecommons.org/licenses/by-nc-sa/4.0 https://jiows.mcgill.ca/article/view/185 Mon, 31 Mar 2025 00:00:00 -0400 The Living Sea: Conceptualising Narratives of Cultural Seascapes in the Eastern Cape of South Africa https://jiows.mcgill.ca/article/view/186 <p class="p2">The sea exerts a powerful influence over coastal communities, shaping their social and cultural landscapes through a variety of intricate and diverse interactions. While these connections highlight the ocean’s cultural value and its essential place in coastal lives, they are neither uniform nor equally distributed across communities. This article advocates for a broader recognition of these relationships within marine management frameworks, pressing for the inclusion of spiritual and well-being dimensions that are presently overlooked. This article draws on ethnographic research that we conducted from 2021 to 2022 along South Africa’s Eastern Cape coast, from Algoa Bay to East London. It delves into how people perceive and experience the ocean as integral to cultural identity and community well-being. Through twenty in-depth interviews, themes of spirituality, cultural expression, interconnectedness with nature, healing, and the sense of access and loss emerge as crucial aspects of these relationships. This article highlights how differing relationships and understandings of the ocean expose historical divides between communities and ongoing socio-economic disparities that affect access to the sea. These narratives underscore the ocean’s role in supporting health and well-being, affirming the need to incorporate such values into marine management policies.</p> Jessica Leigh Thornton, Zanele Hartmann Copyright (c) 2025 Jessica Leigh Thornton, Zanele Hartmann http://creativecommons.org/licenses/by-nc-sa/4.0 https://jiows.mcgill.ca/article/view/186 Mon, 31 Mar 2025 00:00:00 -0400 Kumma Cap from Oman https://jiows.mcgill.ca/article/view/182 <p>See article by Fharose in this volume (p. 110).</p> Editors of the JIOWS Copyright (c) 2025 Editors of the JIOWS http://creativecommons.org/licenses/by-nc-sa/4.0 https://jiows.mcgill.ca/article/view/182 Mon, 31 Mar 2025 00:00:00 -0400 Review: Prita Meier, The Surface of Things: A History of Photography From the Swahili Coast. Princeton: Princeton University Press, 2024 https://jiows.mcgill.ca/article/view/187 J.C. Niala Copyright (c) 2025 J.C. Niala http://creativecommons.org/licenses/by-nc-sa/4.0 https://jiows.mcgill.ca/article/view/187 Mon, 31 Mar 2025 00:00:00 -0400 Editorial Introduction https://jiows.mcgill.ca/article/view/183 Editors of the JIOWS Copyright (c) 2025 Editors of the JIOWS http://creativecommons.org/licenses/by-nc-sa/4.0 https://jiows.mcgill.ca/article/view/183 Mon, 31 Mar 2025 00:00:00 -0400